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aliaspharow

140 Audio Reviews

98 w/ Responses

Check the Audio front page for the first time in probably years and of course our resident talent machine DreamEater is on here! Your production is absolutely top notch as always! Your fills are trully impressive which now more then ever is what I look for in a good producer. pacing is great and your use of silence as a musical device is excellent as well.

My only complain here is that the part after 2:00 beckons a vocal good sir.

Good day!
8.5/10

DreamEater responds:

A Simon Cameron review on newgrounds in 2025 is the last thing I ever would have thought I would see, but here we are. Thank you so much for your feedback and for taking the time to listen brother, it’s always immensely appreciated.

An absolutely inspiring journey through sound! Definitely one of my top 5 favorites in the audition round so far. The composition for this song is really what got me to stop scoring and leave a review as its a balance of striking melodies and a pace that makes the track feel like a living organism. From 1:10 all the way to the end literally made me stand up and hold my headphones up to my ears.

I'll have to be more critical next round but for now all I want to note is that the intro is a bit abrupt, if it would of been longer a more progressive build, starting much quieter (like the middle of your track) I feel like it would of fit the rest of the song a bit better. also your bass rumbles seem to be clipping somehow at 1:24 as well as in other parts in the song. At first I thought it might of been due to the newgrounds waveform but after downloading it I notices it still in the record.

Thumbs up from me buddy! Good luck in the NewGrounds Audio DeathMatch!

Where did this come from and how does this have less than the appropriate amount of listens? Sick nasty dude

Very reminiscent of Blackhole's sound, the pads in the beginning really suck you in and the melodies are great all around. That being said there's quite a bit of clipping in the louder sections and the large amount of reverb and loud pads does muddy up your mix a bit after :50 and 1:45. I think some light side chaining for your kick could probably help a bit too.

All in all great melodies, instrumentation and drums! Keep it up.

feandesign responds:

Thank you! Well yeah, I tried to do the mastering all by myself without that crappy built-in limiter but it turned out to be worse than expected, lol! And I think the main reason for all of that bad stuff was me composing this track in a lower volume, on headphones... probably the worst way to make music - I could use my computer speakers but the thing is that I might be distracting others since I'm not living alone yet. Anyway, I'll consider fixing and updating this song here, once again thanks a lot for pointing out all those problems as well as the pros of this track. Much appreciated!

Clean as always. You are opening me up to the silky smooth side of glitch hop. I love the guitar the most out of the bunch for sure. Didn't know you were back to your old magic! I'll be back for sure.

DreamEater responds:

Thank you very much bro, mainly writing Chillhop and lofi nowadays but really enjoying the process. It’s really good to be able to write again. You rock dude

Holly cow. 5/5 on your 3/4th magic. I honestly wasn't sure you were the same composer that I had talked to years ago but I see now that I was right to believe in you all those years ago (Has it really been that long????) This shows absolutely genius composition in more ways than I have time to express to you. That being said I do hope we can talk soon.

Absolutely beautiful composition +
mesh of unorthodox instruments ++
time signatures and time changes!? +++
I cant.

Onefin responds:

Hey man! Yeah I'm like super appreciative of your support way back when, I never would have predicted getting here haha

Thanks for the kind words! I've like spent many years refining my own insanity so now I make this kind of crud :)

Very well done! If you know my music then you know im a reverb slut and you take complete advantage of it in all the right ways. When you bring in the main melody around 0:50 that sounds so amazing, thoes supplementary synths really add to the melody as well which i dont hear a lot of people getting right on here. You are the epidemi of potential on this site at the moment. in a some years time i garantee you that you will surpass even me. just remember not to let any style define you. follow your true musical ideas. it will never hurt, and even can greatly help at times, to be influence by other people's styles and ideas but one can only achieve musical nirvana by following their true dream of what music can be.

keep doing what you're doing because i love it.

Onefin responds:

Hey! aliaspharow

First off, thanks a ton for reviewing! It seems the R4R thread has been pretty dead recently, so I've had no luck over there :/

Yeah, the return of the main riff at 1:08 is my favorite part of the whole thing. Before that section existed, this was a couple month old dead project (what killed it? an inability to pick a good sound for the main melody at 0:50), but once I added it in, the revival process took shape. And now, I have a finished product, my first original track in months.

"not to let any style define you" Got it. I'll try my best! Thanks for your support! :D

Ooo the pad work ;) god knows you know how to uplift, great way to start an intro for sure.
The build starts and i can never prepare myself for your drops, especially not nowadays.
the build hits and "HOOOOLLLY FUCK NOW IM DANCIN'"
in your words im sure you'd say "Not bad for a bedroom producer" Hopefully one day you'll wake up and smell the roses ^^

2016 the year of the Chain

aka.: ForeSpace French Canadian (Montreal, Go Habs!) Progressive House/ Trance Artist Self proclaimed Smart Ass

Simon Cameron @aliaspharow

Age 30, Male

Musician

Some College Somewhere

Binghamton, NY

Joined on 9/4/07

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